My eyes are further apart than average, which messes with the lens positioning. I couldn't find an existing template online, so I did a bit of measuring and drew up my own.ĭuring testing I discovered another problem: I have a big head. I'd considered buying one of the ready-cut "big phone" cardboard kits, but fancied the challenge (and ethos) of building from scratch. I've got an original model Samsung Galaxy Note (N7000) and its 5.3-inch screen makes it too big to fit the standard Cardboard design template. One of the factors delaying my investigation was my phone. It's taken quite a while to get round to investigating it first-hand, but I've been quite impressed with it as a very economical - and fun - form of VR.
3d movies for cardboard full#
The full kit, including a pair of neodymium magnets, convex lenses, an NFC sticker, rubber band, Velcro fasteners and pre-cut folding cardboard. Finally, an optional sticker allows NFC-compatible phones to launch the app automatically after mounting.
The phone's internal gyroscopes detect movement the magnets are used to construct a clever remote "switch" which triggers the phone's internal magnetic sensors.
The phone app displays a pair of images, each focused to an eye by a lens. You also need a pair of convex lenses (which can be difficult to source) and a couple of strong magnets thankfully there are a number of online suppliers willing to provide these (at a hefty mark-up, of course). If this sounds too easy that's because there is a catch. Google Cardboard headset with phone, showing a side-by-side stereo image on the screen.
3d movies for cardboard android#
For those who aren't familiar with it, the idea is to construct a basic VR headset using just an Android mobile phone and cardboard. So, back in the summer when a friend introduced me to Google's Cardboard virtual reality (VR) project, I was interested.
3d movies for cardboard crack#
My first impression was of terrible motion sickness - a major problem VR developers are still trying to crack - but the overall technology was extremely impressive. I'd had a chance to play with the popular Oculus Rift VR system back in September, at development kit training session for UCLan's Game Design students. Alex is currently an "immersive UI specialist" at Sony SCEE, working on their Project Morpheus VR ( virtual reality), which leads me neatly into the subject of this post - interactive 3D through VR! His Zeitgeist project gives a grand overview of 3D image presentation techniques and explores interactive user interface (UI) design in this strange new world. Last year I had the opportunity to study the excellent work of fellow MA Games student Alex Bellingham. Some are just fun, like the lenticular prints found on selected DVD & book covers. Some implementations are poor (such as the dreadful back-conversions of popular movies) and some are good (like Anthony Dod Mantle's beautiful slow-motion 3D cinematography on Dredd 3D). From cinemas to the 3DS console, stereo images are now easy to find.
Of course, in the last decade, 3D has gone mainstream. Since then, through various online resources (including Brian May's occasional blogs on historical 3D photography) I've learned a useful amount about the subject. However, it was an exhibition at the Guernsey Occupation Museum that opened my eyes (pun fully intended) to the serious use of stereo imagery. I oscillated from side-to-side looking at exhibits in Liverpool's Albert Dock laser hologram gallery (now sadly long gone). From that day onward I grabbed any opportunity to experience it.ĭon't forget - back in the dark ages of the 1980s, it was rare to find 3D images! I lovingly cherished the anaglyphic goodness of my giant-sized Captain EO comic book and gazed in wonder at the novelty shorts playing on Alton Towers' early IMAX 3D screens. The first time I looked through a View-Master I knew I'd fallen in love with 3D stereoscopy.
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